30 seconds. Six shots, five seconds each. Pick one sequence and one track, mixing shots is fine.
Updated 7 September, evening. Forklift operators in A re-shot to read as real people, and the interior forklift now crosses the floor. Runway test removed.
All three sequences, each with its score. Switch while it plays.
Crisp daylight. Context, access, volume.






Dawn to night. The most cinematic.






Graphic and architectural. The building as hero.






Calmer than the first round, mixed lower under the picture. Each trimmed to 30 seconds. Any track can go under any cut.
Under A, The Approach.
Under B, Golden Hours.
Under C, Scale & Symmetry.